Clifford, Richard J. "Exodus." In
The New Jerome Biblical Commentary (ed. Raymond E. Brown, Joseph A. Fitzmyer and Roland E. Murphy; Englewood Cliffs, New
Jersey: Prentice-Hall, 1990) 44-60. Read with this the material on the authorship of the Pentateuch in the same volume: Roland E. Murphy, "Introduction to the Pentateuch," pp. 3-7.
Spronk, Klaas. "The Picture of Moses in the History of Interpretation." In The Interpretation of Exodus: Studies in Honor of Cornelis Houtman (ed. Riemer Roukema; Dudley, Massachusetts: Peeters, 2006) 253-64.
Boorer, Suzanne. The Vision of the Priestly Narrative: Its Genre and Hermeneutics of Time. Atlanta: SBL Press, 2016.
Hoffmeier, James K., Alan R. Millard and Gary A. Rendsburg, eds. ""Did I Not Bring Israel Out of Egypt?": Biblical, Archaeological, and Egyptological Perspectives on the Exodus Narratives, Bulletin for Biblical Research Supplement 13. Winona Lake, Indiana: Eisenbrauns, 2016.
Loewenstamm, Samuel E. "Observation on Source-criticism of the Plague Pericope, Ex 7–11." Vetus testamentum 24:3 (1974) 374-8.
Moss, Candida R. "The Devastation of Darkness: Disability in Exodus 10:21-23, 27, and Intensification in the Plagues." The Journal of Religion 92:3 (2012) 362-72.
Stackert, Jeffrey. "Why Does the Plague of Darkness Last for Three Days?: Source Ascription and Literary Motif in Exodus 10:21-23, 27." Vetus testamentum 61:4 (2011) 657-76.
The Passage through the Red Sea
Bacon, Benjamin Wisner. "JE in the Middle Books of the Pentateuch. III From Egypt to Sinai: Analysis of Exodus xii. 37–xvii.16." Journal of Biblical Literature 11:2 (1892) 177-200.
Levin, Christoph. "Source Criticism: The Miracle at the Sea." In Method Matters: Essays on the Interpretation of the Hebrew Bible in Honor of David L. Petersen (ed. Joel M. LeMon and Kent Harold Richards; SBLRBS 56; Atlanta: Society of Biblical Literature, 2009) 39-61.
Römer, T. "The Exodus Narrative according to the Priestly Document." In The Strata of the Priestly Writings: Contemporary Debate and Future Directions (ed. Sarah Shectman and Joel S. Baden; ATANT 95; Zürich; Theologischer Verlag Zürich, 2009) 157-74.
Smith, Mark S. "The Literary Arrangement of the Priestly Redaction of Exodus: A Preliminary Investigation." Catholic Biblical Quarterly 58:1 (1996) 25-50.
Vervenne, Marc. "The 'P' Tradition in the Pentateuch: Document and/or Redaction? The 'Sea Narrative' (Ex 13, 17–14, 31) as a Test Case." In Pentateuchal and Deuteronomistic Studies: Papers Read at the 13th IOSOT Congress, Leuven, 1989 (ed. C. Brekelmans and J. Lust; BETL 94; Louvain: Leuven University Press, 1990) 67-90.
Wagenaar, Jan A. "Crossing the Sea of Reeds (Exod 13–14) and the Jordan (Josh 3–4): A Priestly Framework for the Wilderness Wandering." In Studies in the Book of Exodus: Redaction—Reception—Interpretation (ed. Marc Vervenne; BETL 126; Leuven: Leuven University Press/Peeters, 1996) 461-70.
The Ten Commandments
Anderson, Craig Evan. "The Tablets of Testimony and a Reversal of Outcome in the Golden Calf Episode." Hebrew Studies 50 (2009) 41-65.
Bartor, Assnat. "Seeing the Thunder: Narrative Images of the Ten Commandments." In The Decalogue in Jewish and Christian Tradition (ed. Henning Graf Reventlow and Yair Hoffman; Library of Hebrew Bible/Old Testament Studies 509/T & T Clark Library of Biblical Studies; New York: T & T Clark, 2011) 13-31.
Boorer, Suzanne. The Vision of the Priestly Narrative: Its Genre and Hermeneutics of Time. Atlanta: SBL Press, 2016.
Levinson, Bernard M. "Goethe's Analysis of Exodus 34 and Its Influence on Wellhausen: The Pfropfung of the Documentary Hypothesis." Zeitschrift für die alttestamentliche Wissenschaft 114:2 (2002) 212-23.
Olyan, Saul M. "Equality and Inequality in the Socio-Political Visions of the Pentateuch's Sources." The Journal of Hebrew Scriptures 10 (2010). Online, http://www.jhsonline.org/Articles/article_137.pdf, [your access date].
Lilien, Ephraim Moses. Moses in Egypt. In Börries von Münchhausen, Juda, Gesänge von Börries, Freiherrn V. Müchhausen mit Buchschmuck von E. M. Lilien (Berlin: Fleischel, 1900).
Mode
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Levussove, M. S. The New Art of an Ancient People: The Work of Ephraim Moses Lilien. New York: B. W. Huebsch, 1906.
Mendes-Flohr, Paul. "Fin-de-Siècle Orientalism, the Ostjuden and the Aesthetics of Jewish Self-Affirmation." Studies in Contemporary Jewry 1 (1984) 96-139.
Swarts, Lynne. "Cultural Zionism, Gender and Orientalism: Ephraim Moses Lilien’s Bibelplan and its Biblical Heroines." In The Bible Retold by Jewish Artists, Writers, Composers and Filmmakers (ed. Helen Leneman and Barry Dov Walfish; The Bible in the Modern World 71; Sheffield: Sheffield Phoenix, 2015) 186-211.
The Story of the Exodus, Marc Chagall (1952–1966)
Primary Text Citation
Chagall, Marc. The Story of Exodus. 1966. 24 color lithographs. 503 x 370 cm (23 prints); 503 x 740 cm (1 print). Paris and New York: Leon Amiel, 1966.
Mode
Reid, Stephen Breck. "The Art of Marc Chagall: An Interpretation of Scripture." In Art as Religious Studies (ed. Doug Adams and Diane Apostolos-Cappadona; New York: Crossroad, 1987) 70-80.
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Werner, Alfred. "Marc Chagall and His Bible Illustrations." The Reconstructionist 23:10 (1957) 6-14.
BIG Bible Town: Moses and the Pharaoh, 3rd Day Games (2007)
Primary Text Citation
3rd Day Games. "Moses and the Pharaoh." Bible Champions II. Windows. 2007.
Mode
Robson, Jon and Aaron Meskin. "Video Games as Self-Involving Interactive Fictions." Journal of Aesthetics and Art Criticism 74:2 (2016) 165-77.
Wagner, Rachel. Godwired: Religion, Ritual and Virtual Reality. New York: Routledge, 2012. [esp. ch. 2]
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Bak, Meredith A. "Building Blocks of the Imagination." Velvet Light Trap A Critical Journal of Film and Television 78 (2016) 53-64.
Lucas, Paul A. "The Video Game Soap Opera: Storytelling and Plot Development in Video Games." Florida Communication Journal 43:2 (2015) 91-102.
Stanfill, Mel. "The Interface as Discourse: The Production of Norms through Web Design." New Media and Society 17:7 (2015) 1154-69.
Wellenreiter, Michael. "Screenwriting and Authorial Control in Narrative Video Games." Journal of Screenwriting 6:3 (2015) 343-61.
Creation of the World, Michael Willmann (1668)
Primary Text Citation
Willmann, Michael. Creation of the World. Oil on canvas. size cm. National Museum of Warsaw, Warsaw, Poland.
Mode
x.
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Scheyer, Ernst. "Baroque Painting in Germany and Austria." Art Journal 20:1 (1960) 9-18.
Darkness over Egypt from the Bible, Marc Chagall (1958)
Primary Text Citation
Chagall, Marc. Darkness over Egypt from the Bible. 1958. Engraving. Image size 28.7 x 22.7 cm; sheet size 51.6 x 38.7 cm. From Marc Chagall and Gaston Bachelard. Drawings for the Bible. New York: Harcourt Brace, 1960.
Mode
Reid, Stephen Breck. "The Art of Marc Chagall: An Interpretation of Scripture." In Art as Religious Studies (ed. Doug Adams and Diane Apostolos-Cappadona; New York: Crossroad, 1987) 70-80.
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Rosensaft, Jean Bloch. Chagall and the Bible. New York: University Books, 1987.
Werner, Alfred. "Marc Chagall and His Bible Illustrations." The Reconstructionist 23:10 (1957) 6-14.
The Haggadah, Melcher Media (2012–2013)
Primary Text Citation
Melcher Media. The Haggadah. Application, iTunes . 2012–2013.
Mode
x.
Wagner, Rachel. Godwired: Religion, Ritual and Virtual Reality. New York: Routledge, 2012. [esp. ch. 2]
Niebuhr, Gustav. "New Religious Use of Technology: A 'Cyber Seder.'" New York Times 145: 50386 (April 3, 1996) B3.
Septimus, Daniel. "Jewish 2.0." Journal of Jewish Communal Service 86:1/2 (2011) 194-9.
Smith, Raymond R. "Peoples of the Word, the Book, and the Laptop: Communication Technologies and Religious Identity." In Identities in Context: Media, Myth, Religion in Time and Place (ed. x; Cresskill, New Jersey: Hampton, 2008) 53-75.
Stanfill, Mel. "The Interface as Discourse: The Production of Norms through Web Design." New Media and Society 17:7 (2015) 1154-69.
Exodus, Marc Chagall (1952–1966)
Primary Text Citation
Chagall, Marc. Exodus. 1952–1966. Oil on canvas. 162 x 130 cm. Private collection.
Mode
Reid, Stephen Breck. "The Art of Marc Chagall: An Interpretation of Scripture." In Art as Religious Studies (ed. Doug Adams and Diane Apostolos-Cappadona; New York: Crossroad, 1987) 70-80.
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Jeffrey, David L. "The Christ of Marc Chagall: David Lyle Jeffrey Explains the Jewish and Christian Symbolism in Chagall’s Work." First Things 242 (2014) 26-30.
Werner, Alfred. "Marc Chagall and His Bible Illustrations." The Reconstructionist 23:10 (1957) 6-14.
Zug Rotesmeer [Passage through the Red Sea], Jakob Steinhardt (c.1921)
Primary Text Citation
Steinhardt, Jakob. Zug Rotesmeer [Passage through the Red Sea]. c.1921. Woodcut on machine-made paper. 24.1 x 18.3 cm (motif); 33.4 x 24.2 cm (sheet). Jewish Museum Berlin, Berlin, Germany.
Mode
"The Woodcut as Social Communicator." Part of the website, "A Gift to Biro-Bidjan: Chicago, 1937. From Despair to New Hope." Koehnline Museum of Art, Oakton Community College (). Online, http://www.oakton.edu/museum/
birowood.html. Archived by archive.is. Online, http://archive.is/aXvk, accessed [your access date].
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Amishai-Maisels, Ziva. Jacob Steinhardt: Etchings and Lithographs. Tel Aviv: Dvir, 1981.
--------. The Late Woodcuts of Jakob Steinhardt. Nahariya: Bar-on, 1987.
--------. "Steinhardt and Bialik." Jewish Book Annual 42 (1984–1985) 137-49.
--------. "Steinhardt's Call for Peace." Journal of Jewish Art 3-4 (1977) 90-102.
Brenner, Michael. "Authenticity and Modernism Combined: Music and the Visual Arts." In The Renaissance of Jewish Culture in Weimar Germany. (New Haven, Connecticut: Yale University Press, 1996) 153-84, 250-56.
[Zug Rotesmeer is an illustration in a 1923 Passover Haggadah Steinhardt illuminated. "Haggadah" means story, and the Passover Haggadah is the tale of Passover and liberation from Egypt that is read during the seder or Passover meal in the Jewish household. Steinhardt's Passover Haggadah illustrations are discussed in the article on pp. 167-70.]
Castleman, Riva. Prints of the Twentieth Century: A History. New York: Oxford University Press, 1976.
Cohen, A. A. The Unknown Steinhardt: Prints by Jacob Steinhardt Produced between 1907 and 1934, Exhibition Catalogue. New York, Jewish Museum, 1987.
Stolarska-Fronia, Magołarzata. "Apocalyptic City versus Apocalyptic Shtetl: The Experience of Catastrophe in the Work of the Jewish Expressionists." Centropa 15:3 (2015) 242-54.
Reiss, Lionell S. "Jacob Steinhardt's Exhibition of Woodcuts." The Reconstructionist 17:19 (25 January 1952) 26-8.
Sorek, Ronit, ed. Jakob's Dream. Steinhardt in Prints, Drawings, and Paintings. Jerusalem: The Israel Museum, 2010.
Steinhardt, Jacob. The Graphic Art of Jakob Steinhdardt. New York: T. Yoseloff, 1962.
Steinhardt, Jacob, Ruthi Ofek, Abraham Hai, Gabriel Ma'anit, Muzeon ha-patuah (Midgal Tefen). Jacob and Israel: Homeland and Identity in the Work of Jakob Steinhardt. Migdal Tefen: The Open Museum, Industrial Park, Tefen, 1998.
Werner, Alfred. "The Art of Jacob Steinhardt." The Reconstructionist 23:14 (1957) 17-21.
--------. "Steinhardt: Master of Black and White." Judaism 8:3 (1959) 258-65. An article by the same name is published in South Atlantic Quarterly 74 (1975) 488-94.
The Ten Commandments (Exod 20:1-17), Thomas Ingmire (2003)
Primary Text Citation
Ingmire, Thomas. The Ten Commandments (Exod 20:1-17). 2003. Illuminated manuscript. The Saint John's Bible, St. John's University, Collegeville, Minnesota, USA.
Wallace, William E. Michelangelo: The Artist, the Man and his Times. New York: Cambridge University Press, 2010.
Tomb and Julius II’s patronage
Blum, Gerd. "Vasari on the Jews: Christian Canon, Conversion, and the Moses of Michelangelo." Art Bulletin 95:4 (2013) 557-77.
Condivi, Ascanio. The Life of Michelangelo, trans. Alice Sedgwick Wohl; ed. Hellmut Wohl. University Park, Pennsylvania: Pennsylvania State University Press, 1999; original, 1553.
De Tolnay, Charles. Michelangelo, vol. 4, The Tomb of Julius II. Princeton, New Jersey: Princeton University Press, 1972.
Figueroa, Gustavo. "The Human Body in Michelangelo's Moses." Revista Medica de Chile 141:10 (2013) 1321-26.
Panofsky, Erwin. "The First Two Projects of Michelangelo's Tomb of Julius II." The Art Bulletin 19:4 (1937) 561-79.
Rosenthal, Earl E. "Michelangelo's Moses, Dal Di Sotto In Sù." Art Bulletin 46:4 (1964) 544-50.
Satzinger, G. "Michelangelo's Tomb for Julius II in S. Pietro in Vincoli (Renaissance Funerary Sculpture)." Zeitschrift für Kunstgeschichte 64:2 (2001) 177-222.
Shaw, Christine. "The Motivation for the Patronage of Julius II." In Princes and Princely Culture 1450-1650, vol. 2 (ed. Martin Gosman, Alisdair MacDonald and Arjo Vanderjagt; Brill’s Studies in Intellectual History 118/2; Boston: Brill, 2005) 43-61.
Vasari, Giorgio. Lives of the Painters, Sculptors, and Architects, trans. Gaston du C. de Vere, with an introduction and notes by David Ekserdjian. New York: Alfred A. Knopf, 1996.
Moses imagery in general
Lewine, Carol F. The Sistine Chapel Walls and the Roman Liturgy. University Park, Pennsylvania: Pennsylvania University Press, 1993.
SCU Art History Professor Blake de Maria: Its a pretty heady text - but Moses plays an important role on the walls, so there's a lot of history/context there, which is relevant to Michelangelo both b/c the walls were painted before he painted the ceiling, and the walls were painted by his teachers & friends (Ghirlandaio, Botticelli) and the walls were commissioned by Pope Sixtus IV delle Rovere, uncle of Julius II - and the one who sets up Moses imagery as emblematic of the delle Rovere family.
Melinkoff, Ruth. The Horned Moses in Medieval Art and Thought, California Studies in the History of Art 14. Berkeley: University of California Press, 1970.
Hear, O Israel (Deut 6:4-5) , Hazel Dolby (2003)
Primary Text Citation
Dolby, Hazel. Hear, O Israel (Deut 6:4-5). 2003. Illuminated manuscript. The Saint John's Bible, St. John's University, Collegeville, Minnesota, USA.
The Death of Moses (Deut 34), Donald Jackson, Aidan Hart, Sally Mae Joseph, Thomas Ingmire (2003)
Primary Text Citation
Jackson, Donald, Aidan Hart, Sally Mae Joseph and Thomas Ingmire. The Death of Moses (Deut 34). 2003. Illuminated manuscript. The Saint John's Bible, St. John's University, Collegeville, Minnesota, USA.
Greenacre, Francis. The Bristol School of Artists: Francis Danby and Painting in Bristol 1810–1840, exhibition catalogue. Bristol: City Art Gallery, Bristol, 1973.
Hemingway, Andrew. "Genius, Gender and Progress: Benthamism and the Arts in the 1820s." Art History 16 (1993) 619-46.
The Ten Commandments, dir. Cecil B. DeMille (1923)
Primary Text Citation
The Ten Commandments Produced and directed by Cecil B. De Mille. 136 min. Paramount Pictures, 1923. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
Secondary Literature
Homan, Michael M. "The Good Book and the Bad Movies: Moses and the Failure of Biblical Cinema." In Milk and Honey: Essays on Ancient Israel and the Bible in Appreciation of the Judaic Studies Program at the University of California, San Diego (ed. Sarah Malena, David Milano and Frank Moore Cross; Winona Lake, Indiana: Eisenbrauns, 2007) 87-112.
Kozlovic, Anton Karl. "The Construction of a Christ-Figure within the 1956 and 1923 Versions of Cecil B. DeMille's The Ten Commandments." Journal of Religion and Film 10:1 (2006). Online, https://www.unomaha.edu/jrf/
vol10no1/
KozlovicMoses.htm, accessed 11 November 2015.
Pardes, Ilana. "Moses Goes Down to Hollywood: Miracles and Special Effects." Semeia 74 (1996) 14-31.
Schroeder, Caroline T. "Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion." Journal of Religion and Film 7:2 (2003). Online, http://www.unomaha.edu/jrf/Vol7No2/ancienteqypt.htm, [your access date].
Shepherd, David. "Prolonging the Life of Moses: From Spectacle to Story in the Early Cinema." In Images of the Word: Hollywood's Bible and Beyond (ed. David Shepherd; Atlanta: Society of Biblical Literature, 2008) 11-37.
Wright, Melanie Jane. "Moses at the Movies: Ninety Years of the Bible and Film." Modern Believing 37:4 (1996) 46-54.
The Ten Commandments, dir. Cecil B. DeMille (1956)
Primary Text Citation
The Ten Commandments Produced and directed by Cecil B. De Mille. 220 min. Motion Picture Associates, 1956. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
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Calabria, Michael D. "The Movie Mogul, Moses and Muslims: Islamic Elements in Cecil B. DeMille's The Ten Commandments (1956)." Journal of Religion and Film 19:1 (2015) 1-25.
Grondelski, John M. "From 'The Ten Commandments' to the 'Decalogue.'" Journal of Religion and Film 7:1 (2003).
Homan, Michael M. "The Good Book and the Bad Movies: Moses and the Failure of Biblical Cinema." In Milk and Honey: Essays on Ancient Israel and the Bible in Appreciation of the Judaic Studies Program at the University of California, San Diego (ed. Sarah Malena, David Milano and Frank Moore Cross; Winona Lake, Indiana: Eisenbrauns, 2007) 87-112.
Kozlovic, Anton Karl. "The Construction of a Christ-Figure within the 1956 and 1923 Versions of Cecil B. DeMille's The Ten Commandments." Journal of Religion and Film 10:1 (2006). Online, https://www.unomaha.edu/jrf/
vol10no1/
KozlovicMoses.htm, accessed 11 November 2015.
Pardes, Ilana. "Moses Goes Down to Hollywood: Miracles and Special Effects." Semeia 74 (1996) 14-31.
Schroeder, Caroline T. "Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion." Journal of Religion and Film 7:2 (2003). Online, http://www.unomaha.edu/jrf/Vol7No2/ancienteqypt.htm, [your access date].
Wright, Melanie Jane. "Moses at the Movies: Ninety Years of the Bible and Film." Modern Believing 37:4 (1996) 46-54.
Yazdi, Mohammad Rezaie. "Hollywood Mission: America the New Israel." Asian Journal of Social Science 37:2 (2009) 305-314.
Moses the Lawgiver, dir. Gianfranco De Bosio (1974)
Primary Text Citation
Moses the Lawgiver Produced by Vincenzo Labella; directed by Gianfranco De Bosio. 141 min. Associated Television, 1974. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
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Homan, Michael M. "The Good Book and the Bad Movies: Moses and the Failure of Biblical Cinema." In Milk and Honey: Essays on Ancient Israel and the Bible in Appreciation of the Judaic Studies Program at the University of California, San Diego (ed. Sarah Malena, David Milano and Frank Moore Cross; Winona Lake, Indiana: Eisenbrauns, 2007) 87-112.
Pardes, Ilana. "Moses Goes Down to Hollywood: Miracles and Special Effects." Semeia 74 (1996) 14-31.
Dekalog. Produced by Ryszard Chutkowski; directed by Krzysztof Kieślowski. 572 min. (10 episodes). Sender Freies Berlin, Telewizja Polska and Zespol Filmowy "Tor," 1989–1990. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
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Allen, Michael, Ian Christie, Dorota Ostrowska and Laura Mulvey. "Dossier. Experimental European TV." Critical Studies in Television 4:2 (2009) 72-107.
Bartley, William. "Faith, Doubt, and Chiasmus in Krzysztof Kieslowski's Decalogue I." Journal of Religion and Film 18:2 (2014) article 4. Online, http://digitalcommons.unomaha.edu/jrf/vol18/iss2/4, [your access date].
Celeste, Reni. "Decalogue: Poland's Cinema of Collision." Studies in European Cinema 1:3 (2004) 175-84
Garbowski, Christopher. Krzysztof Kieslowski's "Decalogue" Series: The Problem of the Protagonists and Their Self-transcendence, East European Monograph 452 East European Monographs, 1996.
Grondelski, John M. "From 'The Ten Commandments' to the 'Decalogue.'" Journal of Religion and Film 7:1 (2003).
Ostrowska, Dorota. "Cinema in Ten TV Episodes: Dekalog by Krzysztof Kieślowski." Critical Studies in Television 4:2 (2009) 90-98.
Perimutter, Ruth. "Testament of the Father: Kieslowski's The Decalogue." Film Criticism 22:2 (1997–1998) 51-65.
Rigney, Francis J. "The Decalogue: A Psychoanalytic Deadlock." Film Criticism 14:31 (1990) 55-71.
Santilli, Paul C. "Cinema and Subjectivity in Krzysztof Kieslowski." Journal of Aesthetics and Art Criticism 64:1 (2006) 147-56.
The Prince of Egypt, dir. Brenda Chapman, Steve Hickner and Simon Wells (1998)
Primary Text Citation
The Prince of Egypt. Produced by Penney Finkelman Cox and Sandra Rabins; directed by Brenda Chapman, Steve Hickner and Simon Wells. 99 min. DreamWorks Animation, 1998. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
Rohrer-Walsh, Jennifer. "Coming-of-age in The Prince of Egypt." In Screening Scripture: Intertextual Connections between Scripture and Film (ed. George Aichele and Richard Walsh; Harrisburg, Pennsylvania: Trinity Press International, 2002) 77-99.
Russell, James. "Foundation Myths." New Review of Film & Television Studies 2:2 (2004) 233-55.
Schroeder, Caroline T. "Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion." Journal of Religion and Film 7:2 (2003). Online, http://www.unomaha.edu/jrf/Vol7No2/ancienteqypt.htm, [your access date].
Sheen, Erica. "Cartoon Wars: The Prince of Egypt in Retrospect." In Religion, Media, and the Marketplace (ed. Lynn Schofield Clark; New Brunswick, New Jersey: Rutgers University Press, 2007) 154-68.
Warren, Hillary. "The Bible Tells Me So: Depictions of Race, Gender, and Authority in Children's Videos." Journal of Media and Religion 1:3 (2002) 167-79.
Yazdi, Mohammad Rezaie. "Hollywood Mission: America the New Israel." Asian Journal of Social Science 37:2 (2009) 305-314.
Film Reviews
Because these are short and popular, you can read them, but they don't replace the need for at least two professional sources.
Goldblatt, Dan, Michael Lerner and Laura Geller. "Prince of Egypt—Three Perspectives." Tikkun 14:1 (1999) 8-10.
Nicolosi, Barbara R. "High Art on Common Ground: The Prince of Egypt." Christianity and the Arts 6:1 (1999) 46-7.
In the Beginning, dir. Kevin Connor (2000)
Primary Text Citation
In the Beginning. Produced by Robert Halmi, Jr., David V. Picker and Paul Lowin; directed by Kevin Connor. 189 min. Hallmark Entertainment, 1994. [format you watched it in: e.g., DVD, Netflix].
1.34.43 Italian subtitles, so you might want to find a streaming source
Mode
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
Goethals, Gregor. "Images and Values: Television as Religious Communication." In Art as Religious Studies (ed. Doug Adams and Diane Apostolos-Cappadona; New York: Crossroad, 1987) 202-214.
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Burnette-Bletsch, Rhonda. The Bible in Motion: A Handbook of the Bible and Its Reception in Film. Boston: Walter de Bruyter, 2016.
Because these are short and popular, you can read them, but they don't replace the need for at least two professional sources.
Fries, Laura. "In the Beginning." Daily Variety 269:50 (November 10, 2000) 19, 3/7 pages.
The Ten Commandments, dir. Robert Dornhelm (2006)
Primary Text Citation
The Ten Commandments. Produced by Bernard Dudek, Robert Halmi, Sr. and Paul Lowin; directed by Robert Dornhelm. 167 min. RHI Entertainment, 2006. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
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ComAbstracts
Communication Source
Film & Television Literature Index with Full Text
Film Literature Index
Warren, Hillary. "The Bible Tells Me So: Depictions of Race, Gender, and Authority in Children's Videos." Journal of Media and Religion 1:3 (2002) 167-79.
The Ten Commandments, dir. Bill Boyce and John Stronach (2007)
Primary Text Citation
The Ten Commandments. Produced by Cindy Bond, John Stronach and Trevor Yaxley; directed by Bill Boyce and John Stronach. 88 min. Promenade Pictures, 2007. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
Secondary Literature
Relevant Databases for Secondary Sources
ATLA Religion Database
ComAbstracts
Communication Source
Film & Television Literature Index with Full Text
Film Literature Index
Warren, Hillary. "The Bible Tells Me So: Depictions of Race, Gender, and Authority in Children's Videos." Journal of Media and Religion 1:3 (2002) 167-79.
Exodus: Gods and Kings, dir. Ridley Scott (2014)
Primary Text Citation
Exodus: Gods and Kings. Produced by Peter Chernin, Mark Huffam, Michael Schaefer, Ridley Scott and Jenno Topping; directed by Ridley Scott. 150 min. Chernin Entertainment, Scott Free Productions, 2014. [format you watched it in: e.g., DVD, Netflix].
Bach, Alice. "'Throw Them to the Lions, Sire': Transforming Biblical Narratives into Hollywood Spectaculars." Semeia 74 (1996) 1-13.
Blizek, William L. and Julien R. Fielding. "Movies: The Retelling of Religious Stories." In The Continuum Companion to Religion and Film (ed. William Blizek; New York: Continuum, 2009) 70-79.
Secondary Literature
Relevant Databases for Secondary Sources
ATLA Religion Database
ComAbstracts
Communication Source
Film & Television Literature Index with Full Text
Film Literature Index
Dube, Musa W. "A Luta Continua: Toward Trickster Intellectuals and Communities." Journal of Biblical Literature 134:4 (2015) 890-902.
Duncan, Jody. "Gods and Kings." Cinefex 140 (2015) 76-93.
Joffe, Alex. "'In a World Where Slaves Make Bricks without Straw....'" The ASOR Blog: The Ancient Near East Today 3:1 (January 2015). Online, http://asorblog.org/in-a-world-where-slaves-make-bricks-without-straw/, accessed 13 February 2015. Click here for archived copy
McGeough, Kevin M. "The Roles of Violence in Recent Biblical Cinema: The Passion, Noah,
and Exodus: Gods and Kings." The Journal of Religion and Film 20:2 (2016) Article 35. 53 pages. Online, http://digitalcommons.unomaha.edu/jrf/vol20/iss2/35, accessed [your access date].
Moses in Egypt, Ephraim Moses Lilien (1900)
Creation of the World, Michael Willmann (1668)
Darkness over Egypt from the Bible, Marc Chagall (1958)
Exodus, Marc Chagall (1952–1966)
Moses, Michelangelo (1513–1515)
